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Building on the arguments of her previous books, Body Criticism (1991) and Artful Science (1994), Good Looking challenges the reflexive identification of images with vice. Today rampant criticism, both inside and outside the academy, condemns the immoralities of aesthetic illusion, museum display, cable television, and hypermedia. Believing with the American pragmatists that it is harder to do than to denounce, Barbara Stafford urges imagists to abandon Foucault's bankrupt paradigm of verbal combat. Instead of more "improving" theoretical discourse, she calls for developing a positive visual praxis on the interpretive ruins of linguistic postmodernism. Not deconstructive autopsy, but demonstrating the historical virtues of visualization for the emergent era of computerism is the task at hand. These twelve essays meditate on the stunning implications of a global shift toward vision and visionary modalities. Apparatus changes, but the basic questions endure. Machine dreams flowing from laser disks, video tapes, CD-ROMs, and magnetic disks are transforming educational, medical, and legal institutions as well as on-line society at large. Organized around three major themes - the explosion of optical information, the urgency of inventing an imaging interdiscipline, and the ethical dilemmas of technological transparency - these pieces connect a disappearing lens culture to the digital diaphanousness of the twenty-first century. Art historian Barbara Maria Stafford is William B. Odgen Distinguished Service Professor at the University of Chicago and current president of the American Society for Eighteenth-Century Studies. -- from back cover.
Postmodernism. --- Visual communication. --- Barbara Maria Stafford --- kunsttheorie --- esthetica --- kunstfilosofie --- cultuurfilosofie --- beeldcultuur --- nieuwe media --- communicatie --- cultuurgeschiedenis --- kunst en technologie --- computers --- woord en beeld --- waarneming --- internet --- achttiende eeuw --- voorstelling --- optica --- Humbert de Superville David Pierre --- geneeskunde --- lichamelijkheid --- anatomie --- hersenen --- brein --- biologie --- 7.01 --- 130.2 --- 791.5 --- Postmodernism --- Visual communication --- Graphic communication --- Imaginal communication --- Pictorial communication --- Post-modernism --- Postmodernism (Philosophy) --- Communication --- Arts, Modern --- Avant-garde (Aesthetics) --- Modernism (Art) --- Philosophy, Modern --- Post-postmodernism
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Naturalism in art --- schilderkunst --- beeldhouwkunst --- naturalisme --- sociaal realisme --- fotografie --- leefcultuur --- 1875 - 1915 --- 19de eeuw --- 20ste eeuw --- Europa --- België --- naturalism [artistic form of expression] --- Art styles --- painting [image-making] --- Adler, Jules --- Frederic, Léon --- Zorn, Anders Leonard --- Gallen-Kallela, Akseli Valdemar --- Nielsen, Ejnar --- Dagnan-Bouveret, Pascal-Adolphe-Jean --- Ring, Laurits Andersen --- Järnefelt, Eero --- Laermans, Eugène --- Barlach, Ernst H. --- Uhde, von, Fritz --- Kollwitz, Käthe --- Pelez, Fernand Emmanuel --- Pellizza, Giuseppe --- Edelfelt, Albert Gustaf Aristides --- Clausen, George --- Breton, Jules --- Guthrie, James --- Guillou, Alfred --- Raffaelli, Jean-François --- O'Meara, Frank --- Bastien-Lepage, Jules --- Anto-Carte --- Stöhr, Ernst --- Claus, Emile --- Morbelli, Angelo --- Verstraete, Theodoor --- Forbes, Stanhope Alexander --- Sousa Pinto, de, José Julio --- Charlier, Guillaume --- Leemputten, Van, Frans --- Bouchard, Henri --- Lamb, Henry --- Meunier, Constantin --- Pion, Louis --- Herkomer, von, Hubert --- Leibl, Wilhelm Maria Hubertus --- Stott, Edward William --- Liebermann, Max --- anno 1910-1919 --- anno 1900-1909 --- anno 1800-1899 --- Europe --- social realism --- labor --- History --- Painting --- Iconography --- Art --- Sculpture --- art history --- Homo sapiens [species] --- sculpting --- von Herkomer, Hubert --- Nielsen, Einar --- Edelfelt, Albert --- Leibl, Wilhelm --- Pelez, Fernand --- anno 1800-1999 --- anno 1900-1999 --- Belgium --- Painting, Modern --- Sculpture, Modern --- Peinture --- Naturalisme dans l'art --- Exhibitions --- Expositions --- Kunststijlen --- schilderen [kunst] --- naturalisme [artistieke uitdrukkingsvorm] --- CDL --- 75.035/036 --- naturalisme (x) --- dagelijks leven --- volkscultuur --- iconografisch materiaal --- Thema's in de kunst ; volksklasse ; de arbeider --- Schilderkunst ; beeldhouwkunst ; naturalisme ; 1875-1915 --- Kunst en maatschappij --- Tentoonstellingscatalogi ; Antwerpen ; Koninklijk Museum voor Schone Kunsten --- 7.037 --- 75.037 --- 73.037 --- (069) --- 705.7 --- 704.94930556 --- 709.0343 --- Kunstgeschiedenis ; 1900 - 1950 --- Schilderkunst ; 1900 - 1950 --- Beeldhouwkunst ; 1900 - 1950 --- (Musea. Collecties) --- Naturalisme --- Kunsten --- Schilderkunst --- Beeldhouwkunst --- Catalogi --- Geschiedenis --- 19e eeuw --- human figures [visual works] --- Kunst --- Catalogus --- Afrika --- Azië --- Nederland --- China --- Geneeskunde --- Techniek (wetenschap) --- Atlas --- Museum --- Autisme --- Cultuur --- Kind --- Samenleving --- Technologie --- Wetenschap --- Historische kritiek --- Vietnam --- Zuid-Afrika --- Kust --- Tekenkunst --- Maatschappij --- Voorlichting --- Literatuur --- stijlen in beeldende kunst (sociaal realisme) --- sculpture [visual works] --- easel paintings [paintings by form] --- sculptuur --- 1875 - 1915. --- 19de eeuw. --- 20ste eeuw. --- Europa. --- België. --- paintings [visual works]
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